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The Mysterious Gaze of the Flamingo Poster

The Mysterious Gaze of the Flamingo

2025 | 108m | Spanish

(1196 votes)

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Popularity: 1 (history)

Director: Diego Céspedes
Writer: Diego Céspedes
Staring:
Details

As an unknown and deadly disease begins to spread, legend has it that it is transmitted between two men, through a simple glance, when they fall in love. While people are accusing her family, Lidia must find out whether this myth is real or not.
Release Date: Sep 11, 2025
Director: Diego Céspedes
Writer: Diego Céspedes
Genres: Drama
Keywords aids, adoption, chile, mining town, lgbt, sex worker, travesti, hiv/aids epidemic, transgender women, minería chilena, festival chéries chéris
Production Companies ARTE France Cinéma, Irusoin, Wrong Men, Weydemann Bros., Quijote Films, Les Valseurs
Box Office Revenue: $0
Budget: $0
Updates Updated: May 23, 2026
Entered: Dec 17, 2025
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Full Credits

Name Job
Diego Céspedes Screenplay, Director
Martial Salomon Editor
Bernardita Baeza Production Design
Ingrid Simon Sound
David Ferral Sound
Pau Aulí Costume Designer
Gilles Bénardeau Sound
Angello Faccini Director of Photography
Florencia Di Concilio Original Music Composer
Gadiel Bendelac Color Grading
Roberto Matus Casting
María José De la Vega Assistant Director
Ignacia Ilabaca Assistant Director
Name Title
Justin Pechberty Producer
Giancarlo Nasi Producer
Damien Megherbi Producer
Jonas Weydemann Co-Producer
Jakob D. Weydemann Co-Producer
Ander Sagardoy Co-Producer
Ander Barinaga-Rementeria Co-Producer
Xabier Berzosa Co-Producer
Benoît Roland Co-Producer
Organization Category Person
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Reviews

Geronimo1967
7.0

Women are in very short supply in this Chilean desert mining community whereas gay men seem far more common! Fortunately, there appears to be an equilibrium between "Don Clemente" (Luis Dubó) and his working men and "Mama Boa" (Paula Dinamarca) who holds sway over the no-nonsense "transvesti". Thing ... s start to go wrong with this balance in the early 1980s when a mysterious plague starts to affect the population. Highly superstitious, the locals begin to believe that it can only be spread by gazing into the eyes of an homosexual. Watching these changes in attitudes is eleven year old "Lidia" (Tamara Cortés) who sits squarely in the middle amidst these increasingly polarising camps and through her friendships acts as a conduit for our own observations of just how the behaviour of this small, actually quite tightly knit, society alters. The miners are not inherently intolerant nor violent; they are not killers or brutes - but they are afraid and so their solution - that the the gay folks have to wear blindfolds - may seem impractically ridiculous, but is still quite remarkably measured. What now ensues is an hybrid of the romantic, the lightly comedic and the fantasy and whilst it does play to stereotype, it does that in quite an ingeniously unusual fashion - especially given the hostility of their arid and unforgiving environment. There are sub-plots galore going on that suggest previous encounters, lost loves and even "Lidia" herself proves that she's not above having her own axe to grind as the tension in this town vacillates between the joyously optimistic and the down right dangerous. The pacing isn't the best, and there appears to be too much on auteur Diego Déspedes's drawing board for him to do justice to all the topics and characters he introduces, but Cortés, Dinamarca and Matías Catalàn's considered contribution as "Flamenco" present us with a characterful study that seemed perfectly fitted to a part of the world where so many of their troubles were as imported as they were unwelcome.

May 21, 2026