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Project Hail Mary

Believe in the Hail Mary.
2026 | 157m | English

(310124 votes)

TMDb IMDb

Popularity: 399 (history)

Details

Science teacher Ryland Grace wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction.
Release Date: Mar 15, 2026
Director: Phil Lord, Christopher Miller
Writer: Andy Weir, Drew Goddard
Genres: Science Fiction, Adventure
Keywords coma, based on novel or book, sun, language barrier, space travel, bravery, space mission, friendship, space, alien, memory loss, suicide mission, astronaut, scientist, science teacher, save the planet, spaceship, interspecies friendship, intense, admiring
Production Companies Waypoint Entertainment, Lord Miller, Pascal Pictures, Amazon MGM Studios, Open Invite Entertainment
Box Office Revenue: $668,516,856
Budget: $200,000,000
Updates Updated: May 22, 2026
Entered: Jun 11, 2024
Trailers

Extras

Full Credits

Name Character
Ryan Gosling Ryland Grace
Sandra Hüller Eva Stratt
James Ortiz Rocky (voice)
Lionel Boyce Carl
Milana Vayntrub Olesya Ilyukhina
Ken Leung Yao
Priya Kansara Mary (voice)
Mia Soteriou Dr. Browne
Annelle Olaleye Olivia
Maya Eva Hosein Rekha
Bastian Antonio Fuentes Parker
Alice Brittain Hardware Store Cashier
Michael Akinsulire Air Force Officer
Travis Jay Tilt-A-Whirl
Geoffrey Lumb Aircraft Carrier Officer
Paul Lambert Dr. Scyther
Orion Lee Dr. Li
Aaron Neil Narender
Michelle Greenidge Chimamanda
Bernhard Schütz Voigt
Amira Ghazalla Dr. Lokken
Malachi Kirby DuBois
Liz Kingsman Shapiro
Piotr Baumann Piotr
Eunice Huthart Rejected Rocky Voice (voice)
Damien de Froberville Rejected Rocky Voice (voice)
Ray Porter Rejected Rocky Voice (voice)
Meryl Streep Rejected Rocky Voice (voice)
Isla McRae Phillips (uncredited)
James Wright CIA Agent (uncredited)
Name Job
Andy Weir Novel
Dan Channing-Williams Special Effects Supervisor, First Assistant Director, Health and Safety
Joel Venti Storyboard Artist
Phil Lord Director
Greig Fraser Director of Photography
Mike Stallion Art Direction
Tara Ilsley Art Direction
Drew Goddard Screenplay
Patricia Whitcher Line Producer, Unit Production Manager
Christopher Knight Drone Pilot
John Bush Set Decoration
Lizzie Osborne Assistant Art Director
Jason Ewart "A" Camera Operator, Steadicam Operator
Thomas Brown Supervising Art Director
Chris Rosewarne Concept Artist
Charles Wood Production Design
Christopher Miller Director
Albert McCausland Draughtsman
Tim Browning Art Direction
Stuart Wilson Production Sound Mixer
Jason Houssein Draughtsman
Oliver Carroll Art Direction
Chris Waegner Visual Effects Supervisor
Arslan Elver Animation Supervisor
Julia Dehoff Art Direction
John Sorapure Second Unit Director, Second Unit Director of Photography
Jamie Mills Gaffer, Chief Lighting Technician
Stuart Penn Visual Effects Supervisor
Bogdan Kumšackij Stunts
Tracey Wilson Storyboard Artist
Barrie Hemsley Visual Effects Producer
Tristan Myles Visual Effects Supervisor
Stefan Drury Executive Visual Effects Producer
Adele Jones-Venables Executive Visual Effects Producer
Karen Clarke Visual Effects Producer
Daniel Pemberton Original Music Composer
Robert Winter Visual Effects Supervisor
Peter James Standby Art Director
Nicholas St. Clair Lead Animator
Aulo Licinio Animation Supervisor
Craig Gilroy Art Direction
Erik Aadahl Supervising Sound Editor, Sound Designer
Craig McPherson Animation Supervisor
Paul Lambert Visual Effects Supervisor
Matthew Smith Assistant Art Director
Joel Negron Editor
Diego De Lajonquiere Art Direction
David Crossman Costume Design
Glyn Dillon Costume Design
Jan Zalar Second Assistant Director
Per Mørk-Jensen Compositing Supervisor
Ethan Van der Ryn Supervising Sound Editor, Sound Designer
Pamela Joyce Unit Production Manager
Jeanne McCarthy Casting
Nicole Abellera Hallman Casting
Stephane Vogel Visual Effects Supervisor
Eunice Huthart Stunt Coordinator
Ben Jenkin Stunts
Adam Bowman Stunts
Arrie Decker Stunts
Dan Dow Stunts
Daniel Rawlins Stunts
David Collom Stunts
James O'Daly Stunts
Joe Kennard Stunts
Kierron Quest Stunts
Kim McGarrity Stunts
Liam Coote Stunts
TJ Roberts Stunts
Thomas Billings Stunts
Susan E. Novick Post Production Supervisor
Katie Greathouse Supervising Music Editor
David Cole Colorist
Sheila Waldron Script Supervisor
Alex Smith Art Direction
Peter Dorme Art Direction
Emma Vane Assistant Art Director
Ian Bunting Assistant Art Director
James Spencer Assistant Art Director
Emily Connell Assistant Art Director
Jack Leather Assistant Art Director
Shalina Bhamra Assistant Art Director
Alfredo Lupo Draughtsman
Amy Eloise Herring Draughtsman
Andrew Proctor Draughtsman
Austin Huntley Draughtsman
Cheyenne Hughes Draughtsman
Jake Jerrard-Dinn Draughtsman
Owen Meadows Draughtsman
Marei Siewers Draughtsman
Sarah Greenslade Draughtsman
Conrad Ayling Modeling
Francesca Tessi Modeling
Bob Cheshire Concept Artist
Chris Kesler Modeling
Dan Walker Concept Artist
Ivan Weightman Concept Artist
Matthew Savage Concept Artist
Paul Chadeisson Concept Artist
Ian Galvin Concept Artist
Godwin Akpan Concept Artist
Fausto De Martini Concept Artist
Jesús Alonso Iglesias Concept Artist
Simon Webber Concept Artist
Kris Anka Concept Artist
Walker DuBois Concept Artist
Phillip Boutte Jr. Concept Artist
David Bleich Concept Artist
Patrick O'Keefe Concept Artist
Michael Moon Concept Artist
Helen Koutas Graphic Designer
Chris Tooth Graphic Designer
Richard Phelan Head of Story
David Allcock Storyboard Artist
Ben Choi Storyboard Artist
Warren Leonhardt Storyboard Artist
Eric Ramsey Storyboard Artist
Wynton Redmond Storyboard Artist
Jake Lunt Storyboard Artist
Joaquim Dos Santos Storyboard Artist
Katie Ralph Assistant Set Decoration
Ellie Shanks Assistant Set Decoration
Katie Dadswell Draughtsman
Robert Hainsworth Draughtsman
Will Htay Concept Artist
Adrian Platt Set Dresser
Paul Burrows Set Dressing Supervisor
Tommy Cochrane Set Dresser
Euan Holmes Set Dresser
Billy Marchant Set Dresser
Tom Moriarty Set Dresser
Joe Reaney Set Dresser
Craig Tarry Set Dresser
Ashley Walton Set Dresser
Gill Farr Set Decoration Buyer
Lara Gilroy Set Decoration Buyer
Clare Holton Set Decorating Coordinator
Stella Atkinson Assistant Costume Designer
Neil Murphy Costume Supervisor
Sally James Costume Supervisor
William Steggle Costume Supervisor
Melissa Layton Costume Supervisor
Mark Avery Costumer
Kim Pickering Costume Supervisor
Tim Shanahan Textile Artist
Monica Jezierska Costume Supervisor
Kate Lawson Textile Artist
Caroline Carrig Textile Artist
Emma MacKenzie Textile Artist
Charlotte Pittuck Costume Coordinator
Cara Stevens Costume Assistant
Chloe Murphy Costume Assistant
Poppy Ridgway Costume Assistant
Steven Morris Property Master
James Wickison Painter
Richard Derbyshire Painter
Doug Emanuel Painter
Philip Hawley Painter
Claire Tuffy Petty Cash Buyer
Candice Banks Hair Department Head, Makeup Department Head
Shane Thomas Makeup Artist
Lizzie Judd Makeup & Hair
Daisy Almond Hair Supervisor, Makeup Supervisor
Jake Marcuson First Assistant "A" Camera
Tom Lane First Assistant "B" Camera
Russel Torode Second Assistant "A" Camera
Billy Askew Second Assistant "B" Camera
Dan Carling Digital Imaging Technician
Kieran Toman Digital Imaging Technician
Julia Hardecka Second Assistant Sound
Jay Dingle Graphic Designer
Jackson Nash Graphic Designer
Ian Sargent Graphic Designer
Matt Raichel First Assistant Editor
Warren Hickman Visual Effects Editor
Ethan B. Henerey Visual Effects Editor
Jonny Winograd Visual Effects Editor
Seth Glennie-Smith Music Editor
Barbara McDermott Music Editor
Jeanette Surga Music Editor
Natalie Cartwright Post Production Assistant
Malte Bieler Sound Designer
Dave Whitehead Sound Designer
Jason Dotts ADR Supervisor
Kira Roessler Dialogue Editor
Darren Maynard Sound Effects Editor
Dan Gamache Sound Effects Editor
Jon Greasley Sound Effects Editor
Jesse Rosenman Assistant Sound Editor
Jonathan Klein Foley Editor
Willard Overstreet Foley Editor
Shannon Mills Supervising Sound Editor, Sound Designer
Nia Hansen Sound Designer
Jacob Riehle Dialogue Editor
Chris Kahwaty Dialogue Editor
Daniel Laurie Dialogue Editor
Justin Doyle Sound Effects Editor
Cameron Barker Sound Effects Editor
Samson Neslund Sound Effects Editor
Steve Schatz Assistant Sound Editor
Allison Ng Assistant Sound Editor
Kevin Froines Mix Technician
Dan O'Connell Foley Artist
Jack Cucci Foley Mixer
Hunter Berk ADR Mixer
Aaron Hasson ADR Mixer
Tami Treadwell ADR Mixer
John Ash Assistant Chief Lighting Technician
Jamie Cantwell Electrician
Reece Powton Electrician
Tommy Flynn-Stringer Electrician
Blu O'Reilly Standby Rigger
George Bird Rigging Supervisor
Dennis Baldwin Electrician
Glenn Bellis Electrician
Iain Lowe Rigging Supervisor
Ron Nicholls Second Company Grip
Regan Mitchell Rigging Grip
Myles Soldenhoff Dolly Grip
Luke Pastow Standby Carpenter
Paul Couch Standby Painter
Charlie Wright Standby Rigger
Jason Leinster Special Effects Supervisor
Jamie Corbould Special Effects Supervisor
Andy Hayes Special Effects Technician
Mat Duggan Special Effects Technician
Adam Banks Special Effects Technician
Frederick Buhagiar Special Effects Technician
Dean Coote Special Effects Technician
Harry Eves Special Effects Technician
Vinnie Gilbert Special Effects Technician
Colin Nicholson Special Effects Technician
Jonny Oram Special Effects Technician
Charles Pedersen Special Effects Technician
Jaydan Smith Special Effects Technician
Phoebe Tat Special Effects Technician
Luke Turner Special Effects Technician
Rob Eves Special Effects Technician
Kiri Louca Special Effects Technician
Billy Mackenzie Special Effects Technician
Harry Rhys Special Effects Technician
Matt Sheehy Special Effects Technician
Aaron Street Special Effects Technician
Anthony Bruton Special Effects Technician
Giovannandrea Piano Special Effects
Connor Wade Special Effects
Hollie Clancy Special Effects Coordinator
Hamish Farrant Special Effects Technician
Ben Morten Special Effects Technician
Poppy Halford Special Effects Assistant
Teddy Westaway-Christopher Special Effects Assistant
Stefano Cordioli Creature Design, Sculptor
Ivan Manzella Creature Design, Sculptor
Martin Rezard Creature Design, Sculptor
Louis Wiltshire Creature Design, Sculptor
David Farrow Animatronics Designer
Matt MacMurray Animatronics Designer
Ashton McCarthy-Gardner Animatronics Designer
Nicolas Ferrard Animatronics Designer
Michael John Collard Visual Effects Producer
Kit Greene Visual Effects Coordinator
Rockford Moore Visual Effects Coordinator
Niamh McKenna Visual Effects Coordinator
Tiasha Chouhan Visual Effects Coordinator
Sarah 'Blu' Platt Visual Effects Coordinator
Camilo Gamboa Merlo Visual Effects Production Assistant
Natalie Byrdsong Visual Effects Production Assistant
Zofia Halaczek Visual Effects Production Assistant
Dan Kunz Visual Effects Supervisor
Gareth Daley Visual Effects Supervisor
Klara Waldberg Visual Effects Production Assistant
Felix de Bagota Visual Effects Production Assistant
William Coyner Concept Artist
Lu Anna Jurado Taylor Assistant Production Coordinator
Lauren Leogue Assistant Production Coordinator
Tera Havey Assistant Production Coordinator
Jheryl Stewart Production Secretary
Maya Nurmohamed Production Assistant
Callum Dawson Crowd Assistant Director
Amy Wellington Set Production Assistant
Camille Hatcher Set Production Assistant
Lorianne Ho Set Production Assistant
Sanders Walker Set Production Assistant
Tola Teriba Set Production Assistant
Camilla Stephenson Location Manager
Florence Cleverdon Location Manager
Michael Grisewood Location Scout
Joshua Benedetti Location Scout
Chor Man Location Coordinator
Marialucia Apicella Assistant Location Manager
Pippa Vaughan Assistant Location Manager
Lilly-Ann Jones Assistant Location Manager
Anna Ziff Location Assistant
Caius Tabberer Location Assistant
Zou Toulson Location Assistant
Edward Farmer Conductor
Henry James Tufnell Legal Services
JJ Berthelsen Legal Services
Stephen M. Gallagher Legal Services
Cherise Honey Hallenbeck Legal Services
Alexandra Tashman Legal Services
Mag Sarnowska Visual Effects Supervisor
Neal Scanlan Other
Kier Lehman Music Supervisor
Juan Peralta Sound Re-Recording Mixer
Michael Semanick Sound Re-Recording Mixer
Laure Miard Visual Effects Production Manager
Michael Bauer CG Supervisor
Gary Wu CG Supervisor
Lies Veldeman Compositing Supervisor
James Clyne Visual Effects Art Director
Stephen Tappin Visual Effects Art Director
Rowen Rinaldi VFX Editor
Derrick Peters Camera Operator
Nestor Prado CG Supervisor
Simone Vassallo CG Supervisor
Jonni Isaacs Compositing Supervisor
Ashwin Malviya Compositing Supervisor
Priyank Chaurasia Compositing Supervisor
Steven O'Connor Compositing Supervisor
Savlaram Adhav Compositing Supervisor
Ken Dailey Visual Effects Producer
George David Reagh Visual Effects Producer
Gabriel Jalbert Visual Effects Producer
Robert Turnbridge Visual Effects Producer
Tulika Kabra Visual Effects Producer
Andrew Banwell Camera Operator
Justin Pitkethly Creature Design, Sculptor
Jason Reed Special Effects Technician
Harry Styles Songs
Name Title
Will Allegra Executive Producer
Amy Pascal Producer
Phil Lord Producer
Aditya Sood Producer
Drew Goddard Executive Producer
Sarah Esberg Executive Producer
Ken Kao Executive Producer
Patricia Whitcher Executive Producer
Christopher Miller Producer
Andy Weir Producer
Nikki Baida Executive Producer
Lucy Kitada Executive Producer
Rachel O'Connor Producer
Ryan Gosling Producer
Barrie Hemsley Co-Producer
Ross Jensen Associate Producer
J. Wheeler White Associate Producer
Liam Briscoe Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 9 3
2024 5 7 11 4
2024 6 11 21 6
2024 7 10 20 5
2024 8 7 10 5
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2024 11 12 18 6
2024 12 9 18 5
2025 1 9 16 6
2025 2 6 9 1
2025 3 3 8 1
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2025 5 1 2 1
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2025 7 10 20 3
2025 8 3 4 2
2025 9 3 3 2
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2026 1 7 10 5
2026 2 13 19 7
2026 3 146 355 19
2026 5 399 399 399

Trending Position


Year Month High Avg
2026 5 6 7
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2026 3 1 7
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2026 2 12 65
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2026 1 52 208
Year Month High Avg
2025 12 128 462
Year Month High Avg
2025 11 26 412
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2025 10 367 800
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2025 9 650 823
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2025 8 695 874
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2025 7 10 429
Year Month High Avg
2025 6 14 372

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Reviews

Brent_Marchant
6.0

When times are tough and world-weary souls have looked for an avenue of escapism to retreat from their woes, worries and weltschmerz, they’ve often flocked to the movies to relieve that pent-up pressure. And, at a time when it feels like the world is going to you-know-where in a you-know-what (like ... now), that’s true more than ever. So it’s with that in mind that this much-anticipated sci-fi space adventure from directors Phil Lord and Christopher Miller enters the picture, a release promulgated with the hope of providing that much-needed and much-hoped-for entertainment remedy. Unfortunately, it comes up seriously short of the mark. When once-famous but now-discredited scientist Ryland Grace (Ryan Gosling) redeems himself by discovering the cause of a space-based catastrophe lying in wait with the potential to devastate the Earth, he’s “recruited” by an international panel of investigators (led by a regrettably miscast Sandra Hüller) to participate in a mission to resolve the issue. He’s reluctant to go, given personal misgivings and his lack of experience as an astronaut, apprehensions that are unsurprisingly confirmed when he wakes up from hibernation to find he’s the only member of his crew to survive. He’s thus left to teach himself how to pilot his spacecraft on his own and to look for a solution to the impending calamity, one that has apparently affected all of our neighboring solar systems but one. And, upon his arrival at that sole surviving locale, he encounters a stone-faced alien whom he names “Rocky” (voiced by James Ortiz) who has been dispatched from his home world to this same location for the same purpose. Perhaps working together will yield an answer for this unlikely duo, but first these two very different beings must learn how to communicate if they’re to collaborate successfully, a challenge almost as big as their scientific dilemma. While this may sound like a plausible premise for an escapist fantasy offering, problems arise not so much in the nature of the story but in its error-filled execution. For starters, at a runtime of 2:36:00, it’s too long to maintain viewer interest with what it has to work with. That’s because the treatment never takes itself seriously enough to make audience members want to care about the characters or the outcome. Instead of creating a thrilling and engaging space adventure, the film becomes more of a lightweight buddy movie (and a very silly, almost juvenile, one at that). Comic relief is one thing, but this production carries this idea way too far, and this ends up becoming a chief source of the picture’s desperate need for editing. On top of this, the narrative isn’t especially original, combining tropes found in releases like “Interstellar” (2014), “The Martian” (2015), and, even as unlikely as it may sound, “Cast Away” (2000), with visual elements that look like they were plucked from “2001: A Space Odyssey” (1968) and “2010: The Year We Make Contact” (1984). And, speaking of visuals, the special effects are a decidedly mixed bag of images, with some stunningly beautiful and others that unbelievably look like they’re 40 years out of date (talk about continuity issues). Then there’s the lead performance by Gosling, who carries much of the picture by himself, again portraying (or attempting to portray) his signature supposedly soft-spoken everyman, but who, in this instance, routinely steps out of character and goes over the top with displays that are unmitigatedly hammy and cloying (much like his extraterrestrial co-star). Consequently, when all is said and done, “Project Hail Mary” comes up an unexpected disappointment, failing to deliver the goods that its marketing team so fervently promised. I realize that I probably sound cantankerous and curmudgeonly in my assessment and that this will likely end up being an unpopular opinion that goes against what most critics and viewers say about it, but I truthfully came away from this one feeling unsatisfied. Nevertheless, if you’re still compelled to see this one any way, at least do yourself the favor of watching it on an IMAX screen for best effect. But, if I were you, I’d wait for it to come to streaming instead.

Mar 14, 2026
Geronimo1967
7.0

I think this might be my favourite sci-fi film since “Galaxy Quest” (1999) and like that, this is a solid and entertaining story led by an actor who is quite possibly getting better looking and more charismatic as he gets older. “Grace” (Ryan Gosling) is the kind of interactive science teacher that ... I’d have loved. Few text books, just gadgets, gizmos and beanbag factoids that appear to keep his teenage students interested and enthusiastic. When he leaves one afternoon he encounters the enigmatic "Eva” (Sandra Hüller) who knows of his more rebellious past amongst the scientific community and who invites him to participate in a crucial and global project. The sun is dying, and rapidly, and they have identified what they think might be the cause. Quickly identifying what he calls the “astrophage”, he is soon aboard an aircraft carrier in the middle of the ocean working on an antidote that might be sourced from a star light years from earth. A scientist he wants to be - an astronaut, well that's a different matter - and so after an unfortunate explosion that’s where “Eva” has a difficult decision to make. Running in parallel to this thread is one on a spaceship in a galaxy far, far, away - and where it’s lone astronaut has met and befriended another wanderer looking for a solution to this intergalactic plague. The two are pretty much polar opposites. They’ve no language in common and they don’t even breathe the same air - but some technical legerdemain, sign language, model making and good old-fashioned goodwill might just help them find a solution in time? Aside from a couple of quite sparing interventions from Hüller - and a mean bit of her karaoke, this is really just Gosling demonstrating that cardigans are cool as he hurtles through space. The writing provides him with some quite witty dialogue a well as just an hint or two of actual science; the visual effects are impressive too but ultimately it’s his amiable characterisation that makes us smile and tugs at our heartstrings almost simultaneously as their story races along for a couple of hours mixing jeopardy, humour and the power of friendship into it as it goes. It looks great on a big screen and I'd certainly be up for a sequel.

Mar 15, 2026
nick_012
10.0

Incredible movie. So heartwarming and funny. The cinematography is gorgeous, the story is so entertaining and you get so emotionally invested to the characters. Ryan Gosling will never disappoint me. ...

Mar 24, 2026
msbreviews
8.0

Full review: https://movieswetextedabout.com/project-hail-mary-movie-review-ryan-gosling-shines-in-a-visually-stunning-redemption-story-for-the-ages/ Rating: A- "Project Hail Mary stands as a triumph of narrative over technique, where the redemption of a man who believed himself a coward becom ... es the symbol of hope for an entire civilization. It’s a beautiful exploration of how genuine communication and personal sacrifice can tear down the most unthinkable barriers, uniting two beings from opposite worlds in a common purpose. Leaving the theater, my thoughts weren’t focused on orbital physics or alien chemistry, but on the profound lesson of altruism that Rocky and Grace leave to the real world. It asserts itself as one of the most immersive and emotionally rewarding sci-fi experiences in recent cinema, joining the technical grandeur of an IMAX production with the intimacy of one of the purest friendships ever seen on screen through a memorable performance by Ryan Gosling. It reminds us that, in the deafening silence of the cosmos, our greatest strength doesn’t lie in the problems solved, but in the courage to reach out to the unknown to discover that one is never truly alone. In the end, what really lasts aren’t the cutting-edge visual effects or the scientific rigor, but the soul of the story."

Mar 21, 2026
JPV852
8.0

Never read (or heard of the book but not much of a book reader aside from crime-thrillers) so I don't know anything about it, but thought this was a lot of fun with heart and Ryan Gosling was great. Hampering my experience was a girl next to me trying to get every drop of her slushie and the last 30 ... minutes having a full bladder not to mention the really warm theater. I was in a D-BOX seat which was well utilized. I'll check it out again once it gets to 4K. Still, solid sci-fi drama. **4/5**

Mar 21, 2026
ChrisSawin
9.0

Project Hail Mary is a prime example of why cinemaphiles love going to the theater. If popcorn flicks are capable of being intellectually stimulating, incredibly emotional, and monumentally worthwhile, then Project Hail Mary is the ultimate popcorn flick. https://www.giantfreakinrobot.com/ent/sci ... fi/hail-mary-review.html

Mar 22, 2026
Mattfav
7.0

Project Hail Mary presents itself as a modern science fiction centered on the classic mission to save the world, or in this case, multiple worlds. During his journey, the protagonist is joined by the likable Rocky, a character used to further lighten the tone and distract from a plot that evolves th ... rough one contrivance after another. The convenient demise of the entire crew feels highly engineered, serving only to force an intimate dynamic between the two characters. A series of convenient coincidences allows the story to conclude in the most favorable way possible. Furthermore, what initially appeared to be a scientific focal point, the protagonist’s conviction regarding non carbon based life, is effectively validated by Rocky’s existence, yet the film fails to follow through leaving a significant thematic thread unresolved. Ultimately, it is an enjoyable, light, and occasionally humorous film; however it fails to leave a lasting impression. While the viewer is certainly entertained for the duration, the experience doesn't leave anything meaningful to reflect on.

Mar 24, 2026
HansBlix
10.0

The best movie I've seen in years, by a longshot. Highly recommend seeing this one in the theater too, the sound is incredible. ⭐⭐⭐⭐⭐ (5/5) ...

Mar 30, 2026
BURG3R5
9.0

Great visuals and humor, but they took out many elements that made the book distinct from a generic "hero saves the world" story, and made Grace and Stratt palatable to an unnecessary extent. ...

Mar 30, 2026
pjmlacy@gmail.com
N/A

I haven't enjoyed a movie this much in a long time. It was a great story, well balance balanced with humor, excitement, joy, and sadness. The amazing visuals didn't override a great story, nor did they go for too-long moments of visual poetic splendor. And I'm so glad that Rocky wasn't another 'cute ... ' alien.

Apr 02, 2026
Zdeny007
8.0

Well, first half of the movie feels a bit stretched and not very engaging. But the second half was more interesting and has a great audio backing. The visuals like camera and VFX are excellent and a pleasure to watch. I think its a great movie for everyone, who loves scifi or simply wants to see ... Ryan Gosling. He is doing a great job and with Rocky they are a perfect duo.

Apr 05, 2026
Ditendra
9.0

The film adaptation of Project Hail Mary is a masterclass in how to translate a high-concept sci-fi premise into a deeply moving cinematic experience. While the technical aspects and the scale of the cosmic mission are undeniably impressive, the true strength of the film lies in its profound emotion ... al core. The narrative goes beyond the "competence porn" of solving physics problems and instead focuses on the vulnerability of being completely alone—and the transformative power of finding a connection in the most unlikely of places. The relationship at the center of the story is handled with a delicate, genuine warmth that makes the stakes feel intensely personal rather than just global. It is a rare film that manages to be intellectually stimulating while simultaneously making you feel a deep sense of companionship and hope. The performances ground the more fantastical elements, ensuring that the humor and the moments of quiet reflection land with equal impact. It’s a beautiful reminder that even in the vast, cold emptiness of space, the most important discovery one can make is the capacity for friendship and sacrifice. This movie is a resonant, soulful journey that stays with you long after the credits roll.

Apr 04, 2026
dajvman1
N/A

Masterpiece. The evolution on how his trek began througout this adventure was amazing. Ryan Gosling was made for this movie as he fit the part to the tee. The flashbacks during the movie were great as he pieced together the "Big Picture". It progressed along and captured my attention throughout the ... movie. Very realistic plot. Thorougly enjoyed it. It makes a profound statement on where we are going as we continue to explore the universe and how this could very well become a reality.

Apr 10, 2026
loganb22
N/A

I thought that this was a great film! So many of the shots were amazing, but personally it felt like it took too long to really get going. The first hour had me a little uninterested and after that it quickly gained my attention! ...

Apr 15, 2026
databear
1.0

Boring, waist of time. poor excuse for sci fi. pixar joke movie for kids maybe. but thought provoking, intelligent sci fi it is not. From the first scene, the slap stick tone sets the scene for the whole movie. was the director too scared of space where no one hears you scream? The dual timeline did ... nt work. the main character seemed like two different characters. it didn't ring true on any level. This film is nowhere near the likes of Interstella, Arrival or Moon. Its lego movie is space. such a shame. a real misfire. Give it a miss. too long to be worth your time.

Apr 17, 2026
Sierbahnn
8.0

This movie is not perfect, but is is tense, and abstract, and deeply funny. It is essentially a one-person narrative with some cgi to act with, and Ryan pulls it off well. The story is strange and intriguing, as is the companion protagonist, making the movie very enjoyable. It is just a fun sci-fi a ... dventure/buddy-movie, and I can highly recommend it.

May 01, 2026
tmdb70454011
3.0

3 out of ALL stars! A very unpleasant movie. During marketing it was presented as 'sophisticated' science fiction evoking Interstellar. In execution it's like Jim Hanson's Interstellar, an episode of 80s Sesame Street with a money-press budget. Mistake? Confusion? Narcotics? Nefarious nihilism? Y ... ou decide. A high-brow european actress known for dramatic roles was cherry-picked into a non-descript role, hired to maintain the 'sophisticated' science fiction impression. Scenes with melodrama, gravitas and pathos interchange with scenes of Muppet Show buffoonery like in a throughly shuffled deck of cards. The ship's computer is less competent than Robbie the Robot and serves as another buffoony puppet alongside Gossling - you read that right, ohoho. Gossling spends half of the movie doing a Will Ferrel level SNL impression of a kind drunk trucker in full kind-drunk-trucker getup. Nothing wrong with kind drunk truckers, especially when parked in rest-stops, they are the red blood cells of the nation! But doing an overstayed impression of one to both fill time and appeal to ALL is rude lazyness masquarading as machiavellism. In fact least puppety is Rocky, who shows most charachter depth and is easiest to sympathize with as a skilled alien faced with the incompetence porn that surrounds him. A movie about how to build a box around a box for darkness in a high-security facility using ad placement store-with-home-utility materials, even though said box is already in a large room that is in fact a box, the lights of which can be switched off. A movie about selecting an everyman teacher for his supressed brilliance, which quickly turns out to be incorrect, for no one to ever mention it is in fact correct upon meeting Rocky, a non-water based lifeform. A movie where a single person staffs an advanced high security lab while all others are baseball hat ordering onlookers/foremen watching that one municipal worker shovel and dig. A movie about sun-eating cells that are made mostly, or to quote Gossling 'ENTIRELY' out of water yet are able to live both in the freezing cold of space and atomizing heat of the sun, that they EAT. A movie with an advanced robot assistant that tries to shave you with a brand placement hand-held shaver. A movie where half of it is made from colorful tiktok reels of Ryan Gossling dancing or bobbing as a kind trucker, but far less competent. A movie where an advanced explorative alien science vessel is less capable of outer-atmosphere flybys than a rickety bucket that tries to shave you with a rechargeable shaver, inside which everyone but the Goss died for reasons™. A movie that gets more boring the higher you get - a true rarity. A movie that makes you feel stupid for trying to count all it's incompetent nonsense. A movie of today.

May 14, 2026
userloser
3.0

3/10 roentgen, not great, not terrible. The premise is absurd and completely lacking credibility and that shows in the performances - the actors are there to read their lines and be done with it. The worst is, of course, the inconvincing and unrelatable replay by Gosling of what we've seen in anothe ... r hundred of similar movies. Sci-fi is not his thing, really, neither is hugging. The plot is linear, predictable and truly boring. The brief socio-political excursion into earth politics is also trite, preachy and boring and without nuance. Not even good enough for a long-haul flight.

May 19, 2026