The Beyond
Beyond death... Beyond Evil... Beyond the dreaded gates of hell.
1981 | 88m | Italian
Popularity: 2 (history)
| Director: | Lucio Fulci |
|---|---|
| Writer: | Dardano Sacchetti, Lucio Fulci, Giorgio Mariuzzo |
| Staring: |
| A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell. | |
| Release Date: | Apr 22, 1981 |
|---|---|
| Director: | Lucio Fulci |
| Writer: | Dardano Sacchetti, Lucio Fulci, Giorgio Mariuzzo |
| Genres: | Horror |
| Keywords | hotel, experiment, new orleans, louisiana, hell, surrealism, gore, morgue, undead, grindhouse, zombie, gothic horror, gothic, mutilation, ghost, blindness, video nasty, acid, grim, dire, entrails |
| Production Companies | Fulvia Film |
| Box Office |
Revenue: $123,843
Budget: $400,000 |
| Updates |
Updated: May 22, 2026 Entered: May 06, 2025 |
| Name | Character |
|---|---|
| Catriona MacColl | Liza Merril |
| David Warbeck | John McCabe |
| Cinzia Monreale | Emily |
| Antoine Saint-John | Schweick |
| Veronica Lazăr | Martha |
| Larry Ray | Larry |
| Al Cliver | Dr. Harris |
| Michele Mirabella | Martin Avery |
| Giampaolo Saccarola | Arthur |
| Maria Pia Marsala | Jill |
| Laura De Marchi | Mary-Ann |
| Calogero Azzaretto | Zombie at Hospital (uncredited) |
| Ottaviano Dell'Acqua | Zombie at Hospital (uncredited) |
| Roberto Dell'Acqua | Glass-Smashing Zombie (uncredited) |
| Lucio Fulci | Town Clerk (uncredited) |
| Gilberto Galimberti | Zombie (uncredited) |
| T. David Pash | Mob Leader (uncredited) |
| Tonino Pulci | Joe the Plumber (uncredited) |
| Dardano Sacchetti | Mob Member (uncredited) |
| Amedeo Salamon | Zombie at Hospital (uncredited) |
| Sergio Salvati | Mob Member (uncredited) |
| Fernando Arcangeli | Hospital Zombie in the Body Bag (uncredited) |
| Armando Tortorici | Hospital Zombie (uncredited) |
| Giovanni De Nava | Sweick mummificato |
| Name | Job |
|---|---|
| Dardano Sacchetti | Screenplay, Story |
| Lucio Fulci | Screenplay, Director |
| Vincenzo Tomassi | Editor |
| Ugo Celani | Sound Engineer |
| Nazzareno Cardinali | Stunt Coordinator |
| Franco Bruni | Camera Operator |
| Sergio Salvati | Director of Photography |
| Massimo Lentini | Production Design, Costume Designer |
| Luciana Pieri Palombi | Hairstylist |
| Tullio Lullo | Unit Manager |
| Roberto Giandalia | Assistant Director |
| Claudia Giammona | Assistant Set Designer |
| Giorgio Mariuzzo | Screenplay |
| Germano Natali | Special Effects |
| Alberto Corchi | Still Photographer |
| Fabio Frizzi | Original Music Composer |
| Giannetto De Rossi | Makeup Artist, VFX Artist |
| Maurizio Trani | Makeup Artist |
| Larry Ray | Production Manager, Location Scout |
| Alfredo D'Angelo | Set Dresser |
| Franco Rinaldi | Assistant Property Master |
| Eros Giustini | Boom Operator |
| Lamberto Del Bene | Key Grip |
| Maurizio Lucchini | Assistant Camera |
| Joe Catalanotto | Gaffer, Key Grip |
| Mary Marrow | Costumer |
| Pietro Tomassi | Assistant Editor |
| Giacomo Dell'Orso | Conductor, Orchestrator |
| Maurizio Guarini | Musician |
| Rita Agostini | Continuity |
| Enzo Diliberto | Special Sound Effects |
| Bruno Moreal | Sound Mixer |
| Alfredo Fedeli | Electrician |
| Wade Hanks | Assistant Camera |
| Armando Pace | Assistant Editor |
| Agostino Marangolo | Musician |
| Fabrizio De Martino | Production Secretary |
| Paolo Gargano | Accountant |
| Otello Tomassini | Administration, Accountant |
| Rodolfo Ruzza | Property Master |
| T. David Pash | Unit Manager |
| Name | Title |
|---|---|
| Fabrizio De Angelis | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 32 | 15 |
| 2024 | 5 | 21 | 34 | 14 |
| 2024 | 6 | 23 | 47 | 14 |
| 2024 | 7 | 27 | 52 | 17 |
| 2024 | 8 | 19 | 33 | 12 |
| 2024 | 9 | 21 | 30 | 13 |
| 2024 | 10 | 23 | 54 | 13 |
| 2024 | 11 | 16 | 30 | 10 |
| 2024 | 12 | 16 | 28 | 8 |
| 2025 | 1 | 14 | 16 | 9 |
| 2025 | 2 | 12 | 18 | 3 |
| 2025 | 3 | 6 | 22 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 3 | 9 | 1 |
| 2026 | 1 | 2 | 2 | 1 |
| 2026 | 2 | 1 | 2 | 1 |
| 2026 | 3 | 2 | 7 | 1 |
| 2026 | 5 | 2 | 2 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 390 | 490 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 226 | 622 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 921 | 921 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 300 | 552 |
**_A New York woman inherits a cursed house outside of New Orleans_** This is southern gothic horror and the second in Lucio Fulci’s unofficial ‘gateways to hell’ trilogy, which all center around a portal to the underworld and include actress Catriona MacColl in three different roles (credited as ... Katherine MacColl). The first film was “City of the Living Dead” from the year prior, and the third one is “The House by the Cemetery,” which came out later the same year. They’re all self-contained. The gateway to hell in the basement element was ripped off from “The Amityville Horror” from two years earlier and “The Beyond” doesn’t hold up by comparison. “The Amityville Horror” was a huge hit for good reason. It took the time to develop several characters, and I don’t mean just the family members. Moreover, it has a warm heart and there’s light underneath the darkness. This one’s more surreal and uglier, naturally similar to Fulci’s previous “Zombie” and the aforementioned “City of the Living Dead.” His curious trademark of punctured eye sockets is on full display. Catriona MacColl has a face that’s easy on the eyes, but don’t expect anything more on the beauty front. In the masculine department, David Warbeck costars as the doctor or mortician. He brings to mind Roger Moore in the ’70s and was actually considered for the role of 007 before Moore took it. Even then, he signed a hush-hush contract to replace Roger at a moment’s notice if he quit or proved troublesome. I liked the artistic rural creepiness reminiscent of “The Shuttered Room” but, again, it suffers by comparison. Twenty-four years later “The Skeleton Key” took the same milieu, minus the portal to hell, and made a better film. Don’t get me wrong, there are some highlights in this flick, which make it worthwhile to fans of southern gothic horror, not to mention devotees of Fulci, many of whom tend to gush over it. It runs 1h 27m and shot from Oct-Dec 1980 in New Orleans and north of there, across Lake Pontchartrain in Madisonville, which is where the old boarding house is located. The causeway happens to be the Lake Pontchartrain Causeway, which is the longest continuous bridge over water in the world (24 miles). Studio stuff was done in Rome. GRADE: C