John Candy: I Like Me
2025 | 113m | English
Popularity: 1 (history)
| Director: | Colin Hanks |
|---|---|
| Writer: | |
| Staring: |
| Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews. | |
| Release Date: | Sep 04, 2025 |
|---|---|
| Director: | Colin Hanks |
| Writer: | |
| Genres: | Documentary |
| Keywords | adoring |
| Production Companies | Company Name, Zipper Bros Films, Maximum Effort |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Apr 08, 2026 Entered: Oct 15, 2025 |
| Name | Character |
|---|---|
| John Candy | Self (archive footage) |
| Tom Hanks | Self - Actor, Splash |
| Steve Martin | Self - Actor, 'Planes, Trains and Automobiles' |
| Martin Short | Self - Actor, SCTV |
| Eugene Levy | Self - Actor, SCTV |
| Macaulay Culkin | Self - Actor, Uncle Buck |
| Bill Murray | Self - Mainstage Cast, The Second City |
| Catherine O'Hara | Self - Actor, SCTV |
| Conan O'Brien | Self - Comedian & Podcast Host |
| Mel Brooks | Self - Director, Spaceballs |
| Jennifer Candy | Self - John's Daughter |
| Chris Candy | Self - John's Son |
| Dan Aykroyd | Self - Mainstage Cast, The Second City |
| Dave Thomas | Self - Actor, SCTV |
| Andrea Martin | Self - Actor, SCTV |
| Robin Duke | Self - Actor, SCTV |
| Don Lake | Self - Actor, Wagons East |
| Chris Columbus | Self - Director, Home Alone |
| Steve Aker | Self - John's Cousin |
| Rose Candy | Self - John's Wife |
| Pat Kelly | Self - Childhood Friend |
| Terry Enright | Self - Childhood Friend |
| Ennio Gregoris | Self - Childhood Friend |
| Tom Davidson | Self - Childhood Friend |
| Rita Davidson | Self - Childhood Friend |
| Catherine McCartney | Self - Talent Agent |
| Andrew Alexander | Self - Founder, The Second City Toronto |
| Kelvin Pruenster | Self - Argonauts Lineman, Trainer & Friend |
| Kareem Abdul-Jabbar | Self (archive footage) |
| John Belushi | Self - Actor, Saturday Night Live (archive footage) |
| Valri Bromfield | Self - Actor (archive footage) |
| Evangeline Candy | Self - John's Mother (archive footage) |
| Jim Candy | Self - John's Brother (archive footage) |
| Sidney Candy | Self - John's Father (archive footage) |
| Johnny Carson | Self - Host, The Tonight Show Starring Johnny Carson (archive footage) |
| Dick Cavett | Self - Host, The Dick Cavett Show (archive footage) |
| John Chancellor | Self - Host, NBC Nightly News (archive footage) |
| Charlie Chaplin | Self - Actor (archive footage) |
| Chevy Chase | Self - Actor, National Lampoon's Vacation (archive footage) |
| Kevin Costner | Self - Actor (archive footage) |
| John Diehl | Self - Actor, Stripes (archive footage) |
| Bob Dylan | Self - Singer (archive footage) |
| Roger Ebert | Self - Film Critic (archive footage) |
| Joe Flaherty | Self - Actor, SCTV (archive footage) |
| Victor Garber | Self - Actor (archive footage) |
| Jackie Gleason | Self - Actor (archive footage) |
| Wayne Gretzky | Self - Co-Owner of the Toronto Argonauts (archive footage) |
| Daryl Hall | Self - Singer (archive footage) |
| Ron Howard | Self - Director, Splash (archive footage) |
| Ernie Hudson | Self - Actor (archive footage) |
| John Hughes | Self - Writer, Director & Producer (archive footage) |
| Larry King | Self - Host, Larry King Live (archive footage) |
| David Letterman | Self - Host, Late Show with David Letterman (archive footage) |
| Ray Liotta | Self - Actor (archive footage) |
| Peter Mansbridge | Self - News Anchor (archive footage) |
| Bruce McNall | Self - Co-Owner of the Toronto Argonauts (archive footage) |
| Marilyn Suzanne Miller | Self - Writer, Saturday Night Live (archive footage) |
| Rick Moranis | Self - Actor SCTV (archive footage) |
| Eddie Murphy | Self - Actor, Saturday Night Live (archive footage) |
| Jack Nicholson | Self - Actor (archive footage) |
| Maureen O'Hara | Self (archive footage) |
| John Oates | Self - Singer (archive footage) |
| Joe Piscopo | Self - Actor, Saturday Nigh Live (archive footage) |
| Sydney Pollack | Self - Director (archive footage) |
| Richard Pryor | Self - Actor (archive footage) |
| Harold Ramis | Self - Head Writer & Actor, SCTV (archive footage) |
| Carl Reiner | Self - Director, Summer Rental (archive footage) |
| Judge Reinhold | Self - Actor, Stripes (archive footage) |
| Peter Sellers | Self - Actor (archive footage) |
| Steven Spielberg | Self - Director, 1941 (archive footage) |
| Betty Thomas | Self - Actor (archive footage) |
| Name | Job |
|---|---|
| Colin Hanks | Director |
| Justin Kane | Director of Photography |
| Shane Reid | Editor |
| Tyler Strickland | Original Music Composer |
| Darrin Roberts | Editor |
| Salomé Wouters | Line Producer |
| Melissa Beck | Makeup & Hair |
| Wren Witting | Makeup & Hair |
| Shannon Allard | Post Production Supervisor |
| Brad Dawe | Sound Mixer |
| Jonathan Greber | Supervising Sound Editor |
| Michael Kool | Sound Mixer |
| Chris Lafaye | Sound Effects Editor |
| Derek McGinley | Mix Technician |
| Gary Rizzo | Sound Re-Recording Mixer |
| Shanele Alvarez | Camera Operator |
| Joshua Atkin | Gaffer |
| Darnell Bettis | Digital Imaging Technician |
| Mason Cash | Camera Operator |
| Camilo Godoy | Gaffer |
| Kevin J. Miller | Gaffer |
| Nich Musco | Camera Operator |
| Connor O'Brien | Camera Operator |
| Graham Robbins | Camera Operator |
| Ryan Saltzberg | Camera Operator |
| Dillon Scheps | Camera Operator |
| Andrew Shankweiler | Camera Operator |
| Konrad Sigurdsson | Best Boy Electric |
| Lukas Neau | Post Production Assistant |
| Dominick Rolandelli | Additional Editor |
| Jessica Marcela Torres | Assistant Editor |
| Ayda Akbal | Orchestrator |
| Sydney Deeter | Production Coordinator |
| Erick Kestell | Production Assistant |
| Farrar Pace | Production Assistant |
| Veronica Serguera | Production Accountant |
| Name | Title |
|---|---|
| Sean M. Stuart | Producer |
| Chris Candy | Co-Executive Producer |
| Patrick Gooing | Executive Producer |
| Johnny Pariseau | Producer |
| Ashley Fox | Executive Producer |
| George Dewey | Producer |
| Colin Hanks | Producer |
| Shane Reid | Producer |
| Ryan Reynolds | Producer |
| Glen Zipper | Producer |
| Jennifer Candy | Co-Executive Producer |
| Rose Candy | Co-Executive Producer |
| Maren Domzalski | Co-Producer |
| Aude Temel | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2025 | 6 | 0 | 0 | 0 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 2 | 5 | 0 |
| 2025 | 10 | 18 | 27 | 3 |
| 2025 | 11 | 8 | 12 | 5 |
| 2025 | 12 | 5 | 8 | 2 |
| 2026 | 1 | 5 | 13 | 1 |
| 2026 | 2 | 2 | 3 | 1 |
| 2026 | 3 | 3 | 5 | 1 |
| 2026 | 5 | 1 | 1 | 1 |
Trending Position
| Year | Month | High | Avg |
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| 2026 | 3 | 511 | 670 |
| Year | Month | High | Avg |
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| 2026 | 2 | 568 | 837 |
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| 2026 | 1 | 826 | 866 |
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| 2025 | 11 | 363 | 756 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 90 | 389 |
I watched this over the weekend, and it was equal parts laugh out loud funny and gut wrenchingly sad. For me, John Candy was a HUGE part of my childhood having started in so many great movies that I still watch fondly all these years later, so naturally I jumped at the opportunity to watch this film ... . Right from the start you have the legendary Bill Murray setting the tone as he asks the director wether or not they want him to say 'nice things' about John, heavily implying that he's got some dirt on him. And one after another we get some great interviews by so many top tier comedic actors both digging in to the late great John Candy but also giving us some insight into who he was. By the end of the film I couldn't help but tear up after seeing the out pouring of love to honour him after he passed so suddenly. This movie will mdke you fall even more in lovd with this great Canadian icon!
Paying tribute to a talented, beloved entertainer is undoubtedly a noble gesture, especially for someone widely regarded as a kind, gentle soul in an industry all too often known for its self-absorbed personalities and who, sadly, passed on while still in the prime of life. Such is the sincere inten ... t behind this third documentary feature from director Colin Hanks, a warm, respectful homage to the late John Candy (1950-1994). The Canadian-born actor-comedian made quite a name for himself in the ʼ70s, ʼ80s and ʼ90s, first as a member of Toronto’s Second City comedy troupe, then as a regular on the edgy sketch comedy TV show SCTV and then as a colorful character actor in more than 30 films. But, as this release shows, Candy was more than just a well-known funnyman. He was also a writer, director, producer and businessman, as well as a devoted husband and father. This reputation made him widely regarded as one of the nicest people in show business, a man with a big heart who made it a practice to take care of others, no matter what their needs might be. These are the qualities that come through loud and clear in the film in the many interviews with those who knew and worked with him, including television colleagues Eugene Levy, Catherine O’Hara, Andrea Martin, Dave Thomas, Martin Short and Robin Duke, as well as his comedy and big screen peers Steve Martin, Bill Murray, Dan Aykroyd, Macaulay Culkin, Tom Hanks, Mel Brooks, Don Lake and Chris Columbus, among others. They’re also apparent in the ample archive footage featuring conversations with Candy, backed by insights from his wife Rose, his children Chris and Jennifer, and an array of childhood friends and industry colleagues. And the picture’s numerous clips from his TV and movie work serve as welcome reminders of just how gifted he was as a performer, a thoroughly enjoyable trip down Memory Lane. However, in telling his story, the film has a tendency to become somewhat repetitive, depicting its subject with so much boundless reverence that it almost seems timid in telling a deeper and more complete story. In its defense, “I Like Me” doesn’t portray its protagonist with a whitewashed Pollyanna narrative, as evidenced by references to issues with his weight, ghosts from his past and unexpressed fears of not measuring up no matter how hard he tried, attributes that contributed to turning him into something of a people pleaser who had trouble turning down others while not always taking care of himself. But the overarching kid gloves approach employed here can be likened to the filmmaker walking on eggshells at times. Certain aspects of Candy’s story receive noticeable short shrift, such as his impressive dramatic turn in a cameo appearance in director Oliver Stone’s “JFK” (1991), a role that may well have provided moviegoers with an all-too-brief glimpse of greater acting abilities that never had a chance to further develop (a few clips from this release are included in the documentary but never really discussed). That kind of depth, regrettably, is lacking here and would have made for a better, fuller profile instead of repeatedly being told the same things over and over again. It’s a shame that this gentle giant of a man and gifted entertainer left us as young as he did, and it’s a safe bet that many of us probably would have liked to have known him and his range of capabilities better. However, when it comes to this biography, it often feels like we’re only getting part of the story, leaving us wanting for more that, unfortunately, we’ll never have the chance to savor and enjoy.