Star Wars: The Mandalorian and Grogu
If you're searching for new adventure, "this is the way."
2026 | 132m | English
Popularity: 130 (history)
| Director: | Jon Favreau |
|---|---|
| Writer: | Dave Filoni, Jon Favreau, Noah Kloor |
| Staring: |
| The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin and his young apprentice Grogu. | |
| Release Date: | May 19, 2026 |
|---|---|
| Director: | Jon Favreau |
| Writer: | Dave Filoni, Jon Favreau, Noah Kloor |
| Genres: | Science Fiction, Action, Adventure |
| Keywords | bounty hunter, galaxy, spin off, space opera, space adventure, based on tv series, master apprentice relationship |
| Production Companies | Lucasfilm Ltd., Fairview Entertainment |
| Box Office |
Revenue: $0
Budget: $165,000,000 |
| Updates |
Updated: May 22, 2026 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Pedro Pascal | Din Djarin / The Mandalorian |
| Jeremy Allen White | Rotta the Hutt (voice) |
| Sigourney Weaver | Colonel Ward |
| Jonny Coyne | Lord Janu |
| Dave Filoni | Trapper Wolf / Embo |
| Steve Blum | Zeb Orrelios (voice) |
| Martin Scorsese | Hugo Durant (voice) |
| Hemky Madera | Commander Baro |
| Paul Sun-Hyung Lee | Carson Teva |
| Matthew Willig | Hogsbreth |
| Stephen McKinley Henderson | Gatori |
| Shirley Henderson | The Anzellans (voice) |
| Cullen Douglas | Prefect Nobah |
| Joel Stoffer | Commander Fremmet |
| Doug Chiang | Lieutenant Blick |
| Deborah Chow | Sash Ketter |
| Lee Isaac Chung | Dok Suri |
| Rick Famuyiwa | Jib Dodger |
| Anthony Daniels | Air Traffic Control Droid (voice) |
| Landis Fields | Crew Chief Evo (voice) |
| Myles Humphus | Gladiator |
| Name | Job |
|---|---|
| Andrew L. Jones | Production Design |
| Abbigail Keller | Visual Effects Producer |
| Ji Young Lee | Art Direction |
| Shawn Holden | Production Sound Mixer |
| Peter Ramsey | Second Unit Director |
| Dave Filoni | Writer, Second Unit Director |
| Jon Favreau | Writer, Director |
| Aja Kai Rowley | Supervising Art Director |
| Brandon Uloho | Set Designer |
| Kim Richards | First Assistant Director |
| Jason T. Clark | Art Direction |
| Rick O'Connor | Animation Supervisor |
| Mary Zophres | Costume Design |
| Susan A. Burig | Graphic Designer |
| Michael A. Galasso | Production Supervisor |
| Doug Chiang | Production Design |
| J.J. Dashnaw | Stunt Coordinator |
| Robert B. Dechellis | Rigging Gaffer |
| François Duhamel | Still Photographer |
| Greg Fausak | Best Boy Grip |
| Josh Greer | First Assistant "B" Camera |
| Bradford Ralston | Video Assist Operator |
| Jason Selsor | Key Rigging Grip |
| Joey Waring | Lighting Technician |
| Steven DeSantis | Construction Coordinator |
| Vincent DeSantis | Construction Coordinator |
| James Eubank | Standby Carpenter |
| Sean Ginevan | Leadman |
| David James | Sculptor |
| Mandy Kowalski | Stunt Coordinator |
| Derek Hoffman | Lighting Programmer |
| Dominik Mainl | First Assistant "A" Camera |
| Cristina Waltz | Makeup Designer |
| John C. Bush | Conceptual Illustrator |
| Sarah Hodges Olivieri | Second Assistant Director |
| Amber Koehler | Second Second Assistant Director |
| Jeff Webster | Gaffer |
| Dylan Firshein | Editor |
| Paul Hughen | Second Unit Director of Photography |
| Rachel Goodlett Katz | Editor |
| Ludwig Göransson | Original Music Composer |
| Simon Jayes | "A" Camera Operator, Steadicam Operator |
| Walter Scott | Key Grip |
| David Klein | Director of Photography |
| John Knoll | Visual Effects Supervisor |
| Hal Hickel | Animation Supervisor |
| Stacy Bissell | Executive Visual Effects Producer |
| Jeff Capogreco | Visual Effects Supervisor |
| Jhon Alvarado | Animation Supervisor |
| Tomasz Wachnik | Visual Effects Producer |
| David Acord | Supervising Sound Editor, Sound Designer |
| Matthew Wood | Supervising Sound Editor |
| Christopher Boyes | Sound Re-Recording Mixer |
| Bonnie Wild | Sound Re-Recording Mixer |
| Scott R. Fisher | Special Effects Supervisor |
| Chris Murphy | "B" Camera Operator |
| Noah Kloor | Writer |
| Micah Kaneshiro | Storyboard Artist |
| George Lucas | Characters |
| Sarah Halley Finn | Casting |
| Josh Roth | Property Master |
| Bryan Smeall | Compositing Supervisor |
| Name | Title |
|---|---|
| Jon Favreau | Producer |
| Dave Filoni | Producer |
| Kathleen Kennedy | Producer |
| Ian Bryce | Producer |
| Noah Kloor | Co-Producer |
| R.J. Mino | Co-Producer |
| John Hampian | Co-Producer |
| Karen Gilchrist | Executive Producer |
| John Bartnicki | Executive Producer |
| Carrie Beck | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 8 | 3 |
| 2024 | 5 | 8 | 16 | 4 |
| 2024 | 6 | 7 | 15 | 4 |
| 2024 | 7 | 8 | 12 | 3 |
| 2024 | 8 | 9 | 15 | 4 |
| 2024 | 9 | 6 | 9 | 4 |
| 2024 | 10 | 6 | 9 | 3 |
| 2024 | 11 | 6 | 12 | 2 |
| 2024 | 12 | 6 | 9 | 3 |
| 2025 | 1 | 7 | 15 | 4 |
| 2025 | 2 | 5 | 8 | 1 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 4 | 1 |
| 2025 | 8 | 3 | 5 | 1 |
| 2025 | 9 | 10 | 15 | 3 |
| 2025 | 10 | 7 | 9 | 5 |
| 2025 | 11 | 3 | 4 | 2 |
| 2025 | 12 | 7 | 10 | 3 |
| 2026 | 1 | 6 | 9 | 4 |
| 2026 | 2 | 7 | 10 | 4 |
| 2026 | 3 | 5 | 7 | 4 |
| 2026 | 5 | 130 | 130 | 130 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 5 | 5 | 6 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 3 | 49 | 256 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 19 | 290 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 205 | 509 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 134 | 560 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 334 | 713 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 278 | 673 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 17 | 269 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 320 | 572 |
Find more reviews @ https://www.manuelsbento.com/ Rating: B- Stepping into the theater for The Mandalorian and Grogu, my anticipation was fueled by the undeniable charm of its main duo, and on a purely sensory level, this leap to the big screen absolutely delivers a blockbuster experience wort ... hy of the largest IMAX canvas. From the breathtaking opening set piece — boasting some of the most brutal, intricately choreographed hand-to-hand action in the modern Star Wars mythos — the film immediately sheds the constraints of its streaming origins. Jon Favreau (Iron Man) crafts a visually stunning flick where the production design feels tangible, dirty, and authentic. The tactile delight of practical creature effects blends seamlessly with CGI elements, creating a visually consistent galaxy that disproves any notion of this looking like a glorified TV episode. Elevating this scale is a thunderous revamping of the musical score by Ludwig Göransson (Oppenheimer), which injects an infectious, epic energy into every frame, while the voice work across the board — including stellar additions from Jeremy Allen White (The Bear) and Martin Scorsese (Shark Tale) — brings an unexpected depth to the ensemble. Yet, as much as my heart swelled seeing Din Djarin remain a magnetic, stoic anchor alongside a fiercely independent, endlessly cute Grogu, I cannot shake the feeling that the narrative plays it entirely too safe. The story unfolds in a highly cyclical, repetitive structure — accept a mission, face danger, narrowly escape — with jarring transition cuts that practically scream where a TV commercial break or episode boundary should have been. By the time the pacing grinds to a brutal halt in the second half to focus on a quieter, Grogu-centric sequence, the lack of narrative momentum becomes impossible to ignore. It's a lovely, calm breath of fresh air in isolation, but it exposes a frustrating absence of stakes, a revolving door of half-baked villains, and a status quo that leaves our beloved characters exactly where they started at the end of their last season. It beautifully honors the foundational themes of fatherhood and found family that made us fall in love with this duo, but in refusing to take a genuine narrative risk, it ultimately feels like a spectacular, heartwarming holding pattern. May we always find the courage to venture into unknown territory, for even the most comforting bonds must eventually grow to survive the journey.
Star Wars: The Mandalorian and Grogu is not the triumphant return to the big screen that the franchise was looking for. It’s watchable, but it’s incredibly monotonous, has nothing substantially important occur, and feels like an afterthought even in comparison to the television series it’s based on. ... https://bit.ly/MandoGro